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Apr 24 / Jermaine Buie

Project 4

Project 4_research

Apr 17 / Jermaine Buie

How typeface influences the way we read and think

ast summer, CERN was on the verge of announcing a discovery so critical to understanding the basic building blocks of the universe that it had been given a divine name: The God particle.

The hunt for the Higgs boson was one of the most expensive and labor-intensive particle physics projects ever undertaken, and promised to answer the fundamental but elusive question of why our atoms stick together in the first place. And yet, when CERN researchers finally announced that they’d glimpsed the Higgs, the world’s first reaction wasn’t to cheer; it was to stifle collective laughter. The institution’s scientists, cradling the most important scientific discovery of the decade, had chosen to present their findings to a breathless public using a peculiar font face: Comic Sans MS.

View image on TwitPic website

The whole kerfuffle underscored just how important typefaces are to the way we process information. Words hold power. But the aesthetic manner in which those words are presented can affect the way we read, and the way we think about the information presented.

“Typography is one ingredient in a pretty complicated presentation,” Cyrus Highsmith, a typeface designer and author of the book Inside Paragraphs, told me over the phone. “Typography is the detail and the presentation of a story. It represents the voice of an atmosphere, or historical setting of some kind. It can do a lot of things.”


Apr 17 / Jermaine Buie

Type Scan Alphabet by Tony Ziebetzki

Apr 17 / Jermaine Buie

Typographic Thread

Apr 17 / Jermaine Buie

Vintage Sign Type

Apr 17 / Jermaine Buie

3-D typography

Apr 17 / Jermaine Buie


Apr 17 / Jermaine Buie

Graphic Illustrations

Apr 17 / Jermaine Buie

Risk vs Reward Poster by Büro North

Melbourne-based design studio Büro North created this fantastic piece as part of the “Threesome” poster exhibition, an initiative that pairs design studios with students and recent graduates.

“The brief was to produce a typographic poster that would be placed in a secret CBD Melbourne location to become part of a typographic treasure hunt.

The content for the poster was to be based around a three word sentence which expresses something that we as designers are passionate about. In response we selected our phrase as ‘Risk vs. Reward’. To express this we placed our poster down a dark alleyway, with only the word ‘RISK’ being constantly visible. In order to reveal the remainder of the poster, the viewer must go down the alley to trigger a motion detecting UV light source that reveals the ‘vs reward’ component through the use of invisible UV ink.”



Apr 17 / Jermaine Buie

Creative Typography