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Wayne State University

Aim Higher

Apr 2 / Trevor Torres

Garamond

Garamond is a group of old-style serif typefaces named after the punch cutter Claude Garamond, a leading type designer of his time.

Garamond is seen as being among the most legible serif typefaces for use in print.  Additionally, it is noted as being one of the most eco-friendly major fonts in terms of ink usage.

 

In 1621, sixty years after Garamond’s death, the French printer Jean Jannon issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. After the French government raided Jannon’s printing office, Cardinal Richelieu named Jannon’s type Caractère de l’Université,[3] and it became the house style of Royal Printing Office.

In 1825, the French National Printing Office adapted the type used by Royal Printing Office in the past, and claimed the type as the work of Claude Garamond. Beatrice Warde, writing for British typography journal The Fleuron, revealed that many of the revivals said to be based on Claude Garamond’s designs were actually designed by Jean Jannon; but the Garamond name had stuck.

Various examples of Garamond

Digital versions include Adobe Garamond and Garamond Premier (both designed by Robert Slimbach), Monotype Garamond, Simoncini Garamond, and Stempel Garamond. The typefaces Granjon and Sabon (designed by Jan Tschichold) are also classified as Garamond revivals.

A version called ITC Garamond, designed by Tony Stan (1917–1988) was released in 1977. The design of ITC Garamond, more than any other digital versions, takes great liberty with Garamond’s original design by following a formulary associated with the International Typeface Corporation (ITC), including an increase in the x-height; a wide range of weights, from light to ultra bold; and a condensed width, also in weights from light to ultra bold.”

 

  • Chetan Bhagat writes all his novels in Garamond on Microsoft Word.[citation needed]
  • The large picture books of Dr. Seuss are set in a version of Garamond.
  • In 1988 British Newspaper The Guardian redesigned its masthead to incorporate “The” in Garamond and “Guardian” in bold Helvetica. This led to a repopularising of the font Garamond in the UK
  • Nvidia uses it in their scientific PDF documents.[5]
  • All of the American editions of J. K. Rowling’s Harry Potter books are set in twelve-point Adobe Garamond, except Harry Potter and the Order of the Phoenix, which is set in 11.5-point Adobe Garamond[6][7] because it is longer.
  • The popular Hunger Games trilogy is set in Adobe Garamond Pro, as is the Shiver trilogy by Maggie Stiefvater.
  • The Everyman’s Library publication of ‘The Divine Comedy is set in twelve-point Garamond.
  • A rare infant version—with single-story versions of the letters a and g—is available in the UK from DTP Types.
  • A variation on the Garamond typeface was adopted by Apple in 1984 upon the release of the Macintosh. For branding and marketing the new Macintosh family of products, Apple’s designers used the ITC Garamond Light and Book weights and digitally condensed them twenty percent. The result was not as compressed as ITC Garamond Light Condensed or ITC Garamond Book Condensed. Not being a multiple master font, stroke contrast in some characters was too light, and some of the interior counters appeared awkward. To address these problems, Apple commissioned ITC and Bitstream to develop a variant for their proprietary use that was similar in width and feeling, but addressed the digitally condensed version’s shortcomings. Designers at Bitstream produced a unique digital variant, condensed approximately twenty percent, and worked with Apple to make the face more distinct. Following this, Chuck Rowe hinted the TrueTypes. The fonts delivered to Apple were known as Apple Garamond.[8]
Main article: Typography of Apple Inc.
  • One of the initial goals of the literary journal Timothy McSweeney’s Quarterly Concern was to use only a single font: Garamond 3. The editor of the journal, Dave Eggers, has stated that it is his favorite font, “because it looked good in so many permutations—italics, small caps, all caps, tracked out, justified or not.”[9]
  • Many O’Reilly Media books are set in ITC Garamond Light.
  • The logo of clothing company Abercrombie & Fitch uses a variation of the Garamond typeface.
  • Garamond text is used on 1985 Nintendo video game consoles in italic form (after the text “Nintendo Entertainment System” or NES) to describe the various version of the consoles.[citation needed]“