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Posts from the ‘Typography’ Category

Accidental Mysteries

Here’s a really cool post I found on the Design Observer site. It talks about this German Book from the 17th Century that basically is just a compilation of different calligraphy styles applied to the alphabet. What’s truly amazing is that each page gets more and more ornate. The time it took to make these is probably ridiculous, and I definitely don’t have a steady enough hand to do something like this so I definitely respect and admire it! Take a look.

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I think it gets to a certain point where some of these are borderline-beyond-legible, but amazing to look at nonetheless!

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7 Mar 2013

New vs Old

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I stumbled upon an article on Eye Magazine.com that talks about Monotype’s typographical adviser, Stanley Morison, who published an article about newspaper design (that I didn’t get to fully read yet).

The quote next to this picture states “This cover photograph, probably conceived by Beatrice Warde, is the likely cause of the misconception that there was a typeface called ‘Times Old Roman’ prior to October 1932. Before that year’s redesign The Times had used a version of Monotype Modern, which was adapted from a typeface created by the Edinburgh foundry Miller & Richards.”

I think it’s just a cool looking poster and comes up with the idea of an ‘Times Old Roman’, even thought it never existed, yet you can clearly see the difference between the two typefaces.

 

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7 Mar 2013

Typography Final Project

For our final project we essentially had to pull material from this blog and organize it and design a booklet. We could use InDesign to set our text but that was it;  everything had to be in black and white and we had to use paste-up techniques to put it together and we could not design the book in InDesign and then print the pieces and then paste them together since that would be cheating  (although I used double-sided tape to save myself from the mess of spray adhesive :P) Here are my final paste-up pages before they were photocopied and bound into my final book (pics up later)

 

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9 Dec 2012

Constrained Systems Video Critique

Sarah Moss:

Oppressive – http://www.youtube.com/watch?v=yBc8HN0FcZ0&feature=youtu.be

Magnification – http://www.youtube.com/watch?v=plBzbVFW77s&feature=youtu.be

26 Nov 2012

Coffee & Cigarettes

This truly is a genius design in my opinion. Combining images and the simple letterform of an ampersand to basically state the title of the film without using any photographic images is impressive. If you took away ‘Coffee and cigarettes’ at the bottom, after spending some time looking at it, one would be able to recognize that there is a coffee cup in the bowl of the ampersand and that the end of it resembles the butt of a cigarette. This design is very simplistic yet imaginative since you really have to look at the form to understand what is being presented to you. Also, the fact that the ampersand was most likely not altered to fit the images into it (such as it wasn’t skewed or twisted, etc) also adds to the fascination and beauty of this piece. Also the use of a beige-type of background reminds you of the effect a coffee stain would have on a white table, or how the cigarette paper burns as you smoke it. There’s a feeling of simplicity and sophistication in this piece since it makes you feel like all you need is some coffee and cigarettes (:

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21 Nov 2012

Final Constrained Systems

Supplement

Sluggish

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15 Nov 2012

Supplement Sketches

For ‘Supplement’ I was trying to portray the idea that a supplement is extra information, and not quite necessary. I wanted to letters to have a basic skeleton that people can see and immediately recognize it as that letter, but I wanted extra information to help build up the letter (but also isn’t necessary to understand what letter it is). I wanted this to be pretty clean and crisp, and most importantly SIMPLE.

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15 Nov 2012

Living Letters

Another great example of hand-drawn lettering. Not only do I like this because it’s done manually, but it’s extremely expressive. It’s use of a calming, cool color and the vines sprouting out from all over the letter contrast the mechanical designs inside of the letter itself. The letter just seems to burst into life and breaks all the rules and barriers that a typical letter should have. I think this is great inspiration to how Typography can be extremely expressive, and you can essentially make it whatever you want it to be.

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12 Nov 2012

Truth

 

I couldn’t agree more with this poster. Not only do I feel Typography is such a beautiful thing to study and practice, but there is so much respect for hand-lettering that I think is lost nowadays due to technology and printing. This is a dynamic composition since you have this bar going across diagonally that really emphasizes that hand-lettering is a lost ‘ART’, not just a skill. The various decorative typefaces are very interesting and play off of each other since they’re all so different. The words also kind of jump off the board and come at you, which also caught my eye when I saw this piece. I’m not sure who did it or where it’s from, but I think it’s gorgeous and I only wish that one day I can accomplish such precision and perfection in my hand-drawn designs.

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12 Nov 2012

Jan Tschichold

Here’s another cool poster I found breaking down letters, this one is by Jan Tschichold. Just like the Baskerville poster I found a while back, I think this one excellently represents how letters are formed from basic circles and lines. I’m not sure what typeface this is but I would assume it’s an old style serif because it’s very classical-looking, is obviously a serif, and there is not significant contrast in the thickness and thinness of the letterforms.

12 Nov 2012